Initially, Djawadi rejected the team's offer because it conflicted with a film he was currently working on. Originally, the Oscar-winning Shakespeare in Love composer Stephen Warbeck was signed to compose the music for Game of Thrones, but he was replaced at the last minute by Djawadi, best known at the time for Iron Man (2008) and Clash of the Titans (2010).ĭjawadi notes that his fusion of ethnic, Middle Eastern and Romantic influences is what drew the Game of Thrones team to him. That little melody can just come at any time.How was Ramin Djawadi recruited for Game of Thrones? “The main title theme for Game of Thrones, for example, I was humming in my car after I saw the visuals. I’m very happy to be a part of it.”Īs for the secret behind his creative process, Djawaid says he just waits for the magic to happen. The sleep had to give in, but looking back, it was the best experience I’ve ever had. “I told myself I had to make it work and figure it out. “I’m so happy I trusted my gut,” he beams. “I realized that the scope of the show was so big and I didn’t know if I had enough time to make it happen.”īut the Game of Thrones producers were persistent. “I was really busy at the time already,” he adds. But he still wasn’t sure if the project was for him. “I was blown away by it,” Djawadi recalls. When Djawadi got the chance to see an early version of the first season of Game of Thrones, he couldn’t believe his eyes. Nearly a decade ago, they approached Djawadi about providing the score to a new television project they were working on. It was that versatility that drew Game of Thrones producers David Benioff and Dan Weiss to Djawadi’s music. Brooks is very electronic, Iron Man is guitar-heavy, Game of Thrones is very orchestral.” Ramin Djawadi Hesitated Before Taking on “Game of Thrones” “It’s nice to go through these evolutions because film composers get asked to do so many styles,” Djawadi says while reflecting on his many scores. That range of styles would come in handy as he rose to prominence as a composer for hit films. While attending Boston’s Berklee College of Music, Djawadi became obsessed with jazz, adding yet another layer to his musical palate. He grew up idolizing the titans of classical music like Brahms and Mozart, but later came to love rock guitar music in his teens. ![]() The son of an Iranian father and German mother, he loved watching old American western movies like The Magnificent Seven on his broken VCR. Layers of Musical Influence in Ramin Djawadi’s WorkĮver since he was a young boy growing up in Germany, Djawadi dreamt of becoming a film composer. It’s just the music that lives on its own.” “When you leave the theatre you can still hum the themes and relive the movie without even watching it. “It’s something I love about movie scores,” he adds. “I’m just trying to create something magical,” he says. The subtle art of weaving individual themes throughout years of character evolution within a complex plot reflects Djawadi’s remarkable musical ability.īut as for the man himself, Djawadi remains humble. ![]() Over eight seasons, Djawadi has carefully developed musical themes for each character, nurturing the motifs over the course of years. Despite Massive Success, Ramin Djawadi Remains Humble While the show itself has ended, Djawadi has embarked on a yearlong global tour, playing his famous orchestral pieces for crowds in 18 different countries. Luckily for Djawadi and his legion of fans, there are still opportunities to enjoy Game of Thrones compositions. I know once I do let go, then that’s it for me, and I just love the show so much.” “I think maybe that’s why I keep tinkering,” he laughs. As HBO’s Game of Thrones final season drew to a close, the show’s hit composer Ramin Djawadi had trouble letting go.
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